A person pouring hot water from a kettle into a coffee dripper with coffee grounds and filter paper, set on a glass vessel. There is a coffee package labeled "Davidoff Rich Aroma" and an open magazine on the table with sunlight streaming in.

Still Life · Campaign · E-commerce · Stop Motion

Every object has
a moment waiting
to be stolen.

Most product photography is about making things look appealing. Mine is about making them look true — which, it turns out, is more appealing anyway.

SEE THE WORK —>

THE APPROACH


Objects don’t perform for the camera.
That’s what makes them honest.

My job is to find the light, the angle, the moment where what you make becomes impossible to look away from.

What I do


"Oh, you also do this?" — yes. Here’s everything.

Objects, packaging, products. With or without people — the product is always the star.

The foundation

Still life & product

packaging · objects ·flat lay · table top

The best food images feel like you walked into a room and found them. That's not an accident. That's the whole job.

where it started

Food & beverage

Brand · Hospitality · Editorial

Flawless work for brands that refuse to compromise. If you care about every frame, so do I.

where it started

E-commerce

white background · detail shots · lookbook

Frame by frame, fully styled and directed. For social, campaign, or anywhere a static image isn’t enough.

The SPEcial Something

Stop motion

social content · campaign ·Product launch

No brief? No problem. Concept, mood, props, styling, execution — I can build the creative from scratch or step into an existing one.

The Full Picture

Campaign & art direction

CREATIVE CONCEPTING · ART DIRECTION · FULL PRODUCTION

Selected Commercial Photography


How it works

The brief

We start with what you need the image to do — not just what it should look like. Platform, audience, feeling. The clearer the brief, the better I can depart from it when something better appears on set.

The build

Props, surfaces, light, colour — every element sourced and arranged before your product arrives. I don’t improvise the setup. I improvise within it.

The shoot

Methodical but never mechanical. I work through the planned setups, then keep shooting past them. The expected image is the starting point, not the destination.

The delivery

A curated, retouched selection — web-ready, print-ready, campaign-ready. Clean files, clear licencing, no chasing for assets.

Ready to be seen
for
who you are?

VIENNA · STUDIO GLASDACH · AVAILABLE FOR TRAVEL